Passages from James Joyce's Finnegans Wake 1965 16mm film 90mins 　　This was the first attempt to cinematize the works of Irish author James Joyce. Based more on a stage adaptation by Mary Manning than the Joyce novel itself, the film concentrates on Dublin pubkeeper Finnegan (Martin J. Kelly), who while in the throes of inebriation has a vision of his own death. As the bemused Finnegan lies in his coffin, his friends gather for his wake. The "corpse" tries to cut through the keening and platitudes by probing the innermost thoughts of those closest to him. The surprising aspect of this film is that so much of its difficult text works on screen--a tribute to the loving care of scripter/director/ editor Mary Ellen Bute, who, while preparing this film spent her waking hours picking the brains and burrowing through the resource materials of the James Joyce Society. 　　Although director Mary Ellen Bute’s highly regarded Finnegans Wake (aka Passages from Finnegans Wake) is a unique film that is likely to baffle anyone unfamiliar with James Joyce, it cannot be dismissed merely as a literary exercise. The director was right in claiming that her film was “not a translation of the book but a reaction to it”. It is actually based on a stage play by Mary Manning, who was also responsible for the screenplay. Joyce’s elliptical rhetoric and intricate punning, which might be considered a formidable barrier to the filming of this most opaque of his works, proved to be an attraction to Bute, whose enthusiasm for the ‘visual’ and ‘kinetic’ quality of his language led her to the surprising but well-judged move of running subtitles from the original text to support the dialogue. 　　Visual music pioneer Mary Ellen Bute's final film was also her first feature film. James Joyce's classic story of Irish tavern-keeper who dreams of attending his own wake is brought to the screen with a sparkling energy which highlights its maker's career-long exploration of kinetic abstract animation. Perhaps best described as a 'film poem,' Passages from Finnegans Wake was the first attempt to 'cinematize' the works of James Joyce, featuring the author's highly original language spoken by characters and presented as text on screen.

Passages from James Joyce's Finnegans Wake 1965 16mm film 90mins 　　This was the first attempt to cinematize the works of Irish author James Joyce. Based more on a stage adaptation by Mary Manning than the Joyce novel itself, the film concentrates on Dublin pubkeeper Finnegan (Martin J. Kelly), who while in the throes of inebriation has a vision of his own death. As the bemused Finnegan lies in his coffin, his friends gather for his wake. The "corpse" tries to cut through the keening and platitudes by probing the innermost thoughts of those closest to him. The surprising aspect of this film is that so much of its difficult text works on screen--a tribute to the loving care of scripter/director/ editor Mary Ellen Bute, who, while preparing this film spent her waking hours picking the brains and burrowing through the resource materials of the James Joyce Society. 　　Although director Mary Ellen Bute’s highly regarded Finnegans Wake (aka Passages from Finnegans Wake) is a unique film that is likely to baffle anyone unfamiliar with James Joyce, it cannot be dismissed merely as a literary exercise. The director was right in claiming that her film was “not a translation of the book but a reaction to it”. It is actually based on a stage play by Mary Manning, who was also responsible for the screenplay. Joyce’s elliptical rhetoric and intricate punning, which might be considered a formidable barrier to the filming of this most opaque of his works, proved to be an attraction to Bute, whose enthusiasm for the ‘visual’ and ‘kinetic’ quality of his language led her to the surprising but well-judged move of running subtitles from the original text to support the dialogue. 　　Visual music pioneer Mary Ellen Bute's final film was also her first feature film. James Joyce's classic story of Irish tavern-keeper who dreams of attending his own wake is brought to the screen with a sparkling energy which highlights its maker's career-long exploration of kinetic abstract animation. Perhaps best described as a 'film poem,' Passages from Finnegans Wake was the first attempt to 'cinematize' the works of James Joyce, featuring the author's highly original language spoken by characters and presented as text on screen.

因为身体的疼痛放弃语言学校讲师一职的权（徐英华饰），去到了山上呼吸新鲜氧气调理后身体恢复了回到首尔，就在那天她来到曾经工作的学校，找回了一封厚厚的信。　　2年前，在这里曾经工作的日本人讲师阿森（加濑亮饰）曾经向她求过婚，权在思量了一晚后第二天拒绝了他，然后阿森就回到了日本，在这期间他曾来过韩国也有找她见过面。权在学校走廊看着阿森信的第一页，读完以后突然觉得很需要新鲜的空气，就在学校阶梯下来时突然眼前一蒙晕了过去，手中的信也洒在了阶梯上，而洒落一地的这些信因为没有日期而显得更加凌乱，让她更加无法依顺序来看。

电影讲述的是加濑亮出演的日本男人前往首尔，试图与他心爱的女人复合的故事。

本片基于令人难以置信的真实事件改编，联邦探员蒂姆·巴拉德（吉姆·卡维泽 Jim Caviezel 饰）在把一个小男孩从残忍的儿童拐卖犯罪中解救出来之后，得知男孩的姐姐同样被拐，他决定冒险前去营救，但政府无法派兵到他国领土救援。时间紧迫，蒂姆辞去工作，深入哥伦比亚丛林以身犯险，誓要把女孩从生不如死的命运中解救出来。

本片基于令人难以置信的真实事件改编，联邦探员蒂姆·巴拉德（吉姆·卡维泽 Jim Caviezel 饰）在把一个小男孩从残忍的儿童拐卖犯罪中解救出来之后，得知男孩的姐姐同样被拐，他决定冒险前去营救，但政府无法派兵到他国领土救援。时间紧迫，蒂姆辞去工作，深入哥伦比亚丛林以身犯险，誓要把女孩从生不如死的命运中解救出来。

Another thrilling adventure for Elsa the lioness as she works her magic on two teenagers struggling with changes in their life.

待业青年栗原八相信人生万般皆由命运，并亲自证实自己的理论，在东京一隅的自由之丘，八再次遇见了前日演唱过一首名叫《自由之丘》歌曲的小酒吧歌手里奈，上回他曾试图搭讪而未果，这次却奇迹般地和她发生了一夜情，这何尝不是命运使然？ 里奈问八平常做什么，八说，自由的人。 　　俊曾经梦想成为一个自由的人。他为寻找新的生活来携新婚妻子和女儿来到这座城市，几年后却发现被他曾向往的成功生活所束缚。俊在里奈身上，看见了一种自由的可能性，即不离不弃地遵循着自己的梦想，虽然它并不似能为自己带来什么。 　　里奈默默无名地在小酒吧演唱。似在追逐自己梦想，却又看不到未来。孤独的她与各种男人交往，在八身上看见无所事事的随意，又从俊窥见按部就班的规划。三人从彼此身上看见一种慰藉。是随波逐流，还是向曾有过的梦想迈出一步，去追寻一种自由？